"To shoot EVOL, Vincze had his two leads, a mopey man and a sweetly bookish woman in the middle of busy London, perform all of their actions backward. Then he reversed the film in postproduction — showing us a couple who find each other because they’re out of sync with everyone else. The technique fits the film’s story perfectly: It’s magical, unashamedly corny, a little disorienting, and constantly surprising. Which, in our experience, is pretty much like falling in love."
Anyway, just watch it.